Christian Larsen
Artists:
- Atelier Van Lieshout
- Christian-Pontus Andersson
- Peter Bonde
- Max Book
- Karin Broos
- Cooper & Gorfer
- Joakim Eneroth
- Mads Gamdrup
- Charlotte Gyllenhammar
- Jeannin/Schuurmans
- Katy Kirbach
- John Körner
- Bo Christian Larsson
- Daniel Lergon
- Anna Linderstam
- Haruko Maeda
- Lucas Rahn
- Lilibeth Cuenca Rasmussen
- Viktor Rosdahl
- Vibeke Slyngstad
Exhibitions:
- 43 Katy Kirbach
- 42 Lilibeth Cuenca Rasmussen
- 41 Jeannin / Schuurmans
- 40 Lucas Rahn
- 39 Vibeke Slyngstad
- 38 Haruko Maeda
- 37 Bo Christian Larsson
- 36 Max Book
- 35 Jeannin/Schuurmans
- 34 Lilibeth Cuenca Rasmussen
- 33 Mads Gamdrup
- 32 Heikki Marila
- 31 Lucas Rahn
- 30 Christian-Pontus Andersson
- 29 Daniel Lergon
- 28 Peter Bonde
- 27 Karin Broos
- 26 Joakim Eneroth
- 25 Viktor Rosdahl
- 24 Ann-Sofi Sidén
- 23 Cooper & Gorfer
- 22 Katy Kirbach
- 21 Anna Linderstam
- 20 Joakim Eneroth
- 19 Vibeke Slyngstad
- 18 Christine Ödlund
- 17 John Körner
- 16 Charlotte Gyllenhammar
- 15 Mads Gamdrup
- 14 Max Book
- 13 Karin Broos
- 12 Viktor Rosdahl
- 11 State of Mind
- 10 Anders Widoff
- 09 Ann-Sofi Sidén
- 08 Roger Ballen
- 07 Daniel Lergon
- 06 Hello Gallery Owner!
- 04 Atelier Van Lieshout
- 03 Frida Tebus
- 02 Christian–Pontus Andersson
- 01 Tomas Saraceno
Exhibition 21:
21
Anna Linderstam: The Unheard Contradictions
April 15 – May 16, 2010
View exhibition room I (front)
View exhibition room I (back)
View exhibition room I (left wall)
View exhibition room II
About:
The Unheard Contradictions
Anna Linderstam creates silent dramas. In constructed environments performative action is condensed into emotionally charged scenarios within photography and video. The work aims to capture the elusive process of "becoming" whilst simultaneously highlighting the subject's act of "giving oneself over" to the photographic gaze.
Taking the body as a responsive form, Linderstam sets up manipulating circumstances, in which a metamorphosis takes place. In the works exhibited, hypnosis, blindness and physical exertion have been used to disrupt the subject’s reference to common habits and emotional patterns. The situation is seemingly empty and without a past. A new reference emerges with the gaze, a totalizing aperture as an infinite horizon. The body transcends what it is, becoming what it is not.
All the works maintain an ambiguity between the constructed situation and the authentic physical state of the subject. The works document the conditions explored and by controlling the visual elements Linderstam imposes her own aesthetic. She uses large format camera and analogue printing techniques to create highly detailed and precise photographs. The large scale is significant, as it demands that the viewer relate to the subjects depicted.